1)
Through out the
film “Million Dollar baby” there are a variety of events that have the
potential to provoke certain emotions from the perspective of a spectator. These emotions vary based on the opinions and
actions of the characters such as the scene towards the end of the movie where
Clint Eastwood’s character puts Hilary Swank’s character to rest after a
crippling accident. The emotions evoked from a scene like this would be along
the lines of sadness (from the death of a likeable and fully fleshed out
character), relief and happiness (from the fact that she has been laid to rest,
away from her vegetable like state). As a drama, these emotions are meant to
jump back and forth as it would, realistically.
For example, the character of Danger is the film’s comic relief who is
blissfully ignorant and unintelligent. He unsuccessfully gets himself involved
in boxing, much to the amusement of everyone around him, and using racial slurs
towards Morgan Freeman’s character in an oddly innocent, ignorant manner. These
elements of comedy balance out the harsher aspects of the film such as the
scenes suggested above. Another key emotion in the movie is shock. When Hilary
Swank’s character is illegally struck by her opposition in a title match,
resulting in her falling onto to a stool, landing on her neck and breaking it.
The scene is made more cringe inducing by the grotesque sound design and the
use of slow motion which prolongs the snapping of the neck. Despite the
audience being aware of the outcome, the body horror is what makes us as a
viewer feel sickened, not only by her injury but the actions of her opponent
who caused her virtually fatal harm.
2)
The use of micro
elements in the movie are used to compliment the performances of the characters
and fully convey the emotions that Eastwood wanted. The last scene where
Eastwood’s character is in the hospital, the lighting dimly lit with a lot of
heavy shadows and the light only cast over a sleeping Hilary Swank, placing her
as the focus and convey the misery around her with nothing but dark shadows.
This scene also has no music to accompany it, allowing you to only hear the
beeping of the heart monitor.
3)
No, in my honest
opinion, I do not believe that the film is a weepie. The reason being that there
are only a few scenes which could be considered upsetting to the spectator.
Furthermore, the context in which she is injured has most likely never happened
to the average spectator (i.e. a sport related injury as severe as hers). The scene is would probably not be relatable
to the average film viewer as the means of her accident is would be quite
obscure. I believe most would feel a sense of empathy for Hilary Swank’s
character but not feel completely saddened by her death.
Literacy point- use capital letters for the first letter in each word in a film's title.
ReplyDeleteWWW- a really good analysis of the emotional responses the film tries to evoke and a good discussion of these with good use of descriptive terms. I also like the last point about feeling sympathy for Maggie without feeling sorry for her- maybe this is because she is released from her suffering as she dies.
EBI- you had investigated the use of micro elements more fully with more detailed specific examples from the film. I did ask you for two, and the comment about sound is a little vague
Show me- reply to this post with a more detailed example of how microelements are used in a scene. The point about lighting is well made but for the second example, choose a different scene with a different emotional intention
The use of sound is also used to convey certain emotion, particularly shock. This can be seen in the boxing match where Hilary Swank's character is illegally attacked, resulting in her falling and breaking her neck on the side of the stool. There is no non-diegetic sound in this segment and, accompanied by the editing slowing the frames down, you hear nothing but this prolonged snapping just as she breaks her neck. This is used to fully provoke a sense of disgust and cringe which puts the viewer in a sense of shock, either because of the act itself, or because of how gratuitous the injury appears.
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